Archived entries for

The Ontology of the Artefact

The Ontology of the Artefact is a digital publication compiled by students, Aoife Banks, Nathan Cahill and Kate Friedeberg of NCAD’s Art in the Contemporary World Masters programme, exploring the conditions of the artefact within colonial museology through to contemporary visual culture. It is a platform for discourse surrounding the artefact and its displacement, creation, destruction, and reimagining.

Read the publication here: http://www.ontologyoftheartefact.xyz

Please join us for the launch of The Ontology of the Artefact at Temple Bar Gallery and Studios on Wednesday 30th Jan at 7pm. Speaking at the launch will be Rachel Dwyer, lecturer of digital cultures in the School of Visual Cultures in the NCAD and Melanie Otto, lecturer of postcolonial literature in The School of English in Trinity College. Talk followed by wine reception.

Wednesday 30 January 2019
7pm
Studio 6

Free admission, no booking required.

Artist In Conversation: Karl Burke and Dr. Francis Halsall

Artist In Conversation: Karl Burke and Dr. Francis Halsall
Thursday 31 January 2019, 6.30pm
Free in.

Artist Karl Burke will be in conversation with Dr. Francis Halsall; art historian and co-director of the MA Art in the Contemporary World at NCAD Dublin. In association with Space Gathers Itself, an exhibition of work by Karl Burke, running until 09 February.
Karl Burke is an Irish artist and musician based in Dublin. He has exhibited widely in Europe and North America including The Royal Hibernian Academy, Irish Museum of Modern Art, Hugh Lane Gallery, Project Arts Centre, The Mac, Maria Stenfors Gallery, The Serpentine and The Mattress factory. A site specific practice of primary concern in Burke’s work is the symbiotic relationship between the art object, the space it inhabits and the experiential concerns related to viewership. The work is often minimal or reductive in appearance and takes the form of sculptural installations often utilising the mediums of steel and wood. Video, sound and the photographic image are utilised in other instances.
Francis Halsall is co-director of Master Programs, Art in the Contemporary World, at National College of Art and Design, Dublin and Research Fellow at the Department of Art History and Image Studies, University of the Free State, Bloemfontein, South Africa. His research involves three main areas: (1) Modern and Contemporary art; (2) Philosophical aesthetics (3) Systems Thinking. He has published and lectured widely in all areas.

Active Archive – Slow Institution

Active Archive – Slow Institution is a major research project that delves into Project Art Centre’s rich 50+ year history, uncovering the history (or rather histories) of one of Ireland’s oldest public art institutions.

Over the past six months, recent ACW graduate, Dorothy Hunter and current ACW MFA student, Hannah Tiernan have been undertaking independent lines of enquiry within the centre’s archive. The Long Goodbye exhibition, which opens on Thursday 31st January, is the culmination of this project and will feature highlights from their research.

Dorothy has been researching the disparate threads connected to the “eventualisation” of the Project fires, such as the tension between symbol-making and destruction, how protection and aftermath are dealt with, art that was destroyed and made, and the layered proxy existences within the archive.

Hannah’s research into the LGBTQ+ theatre of Project speaks to the Art Centre’s importance as an artist-led organisation. Having been at the forefront of presenting cutting edge, contemporary and often controversial work, this research looks at the legacy of such an institution and how this reflects in today’s practices.



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