NCAD ACW masters students are currently developing a publication containing a 16 part dossier under the theme of Co-Habitation and will spend 24 hours co-habitating, experimenting, workshopping, writing about, and mapping co-existence. Over the last 7 months, the ACW students involved have studied, written about and discussed philosophy, theory, and surrounding literature concerning contemporary art and writing. The 16 students taking part in this experiment come from a broad spectrum of disciplines and are concerned with the following questions.
What does it mean for a group of visual artists, journalists, curators, historians, and writers to workshop, debate, critique, perform, write, eat and sleep in a single studio space over a 24 hour period?
How will this experience of co-habitation manifest through the process of collective writing?
What are the broader socio-political repercussions of co-habitation and how do these issues affect our considerations of this process?
Where does contemporary art and writing situate itself in relation to this theme?
What does it mean to inhabit a space in these terms?
What individual and collective concerns will arise during this experiment?
And how will this experiment direct the final publication?