Opening reception: 6–8pm Thursday 19th April 2018
Exhibition runs: 12–6pm Thursday 19th – Saturday 28th April
Gallery open: Thursday–Saturday
Artist’s talk: Saturday 28th April 2pm, in conversation with ACW alumni Michelle Hall
Pallas Projects/Studios are pleased to present Austin Hearne—Remains the second exhibition of our Artist-Initiated Projects programme.
“The visual and architectural apparatus of the Church is the embodiment of Catholic doctrine; promulgating the notion that one must submit oneself entirely, body and soul, to be a ‘good’ Catholic. Austin Hearne’s work reflects upon this but also injects a frisson of titillation via an irreverent and occasionally dark celebration of its sensuality.”
—excerpt from Of Lillies and Remains, Pádraic E. Moore
What remains when the other parts have been taken away, consumed, rotted. The Catholic Church is sick, dying, dead, remaining. Its remains stubborn, permanent – can not and will not rot. They are an empty carcass, leftover, ready to be re-inhabited, reanimated by the next wave in its sicker, deadlier form.
Austin Hearne’s practice is rooted in photography wherein he explores its possibilities to produce installations, objects and performances that expand the limits of the photograph and indeed the medium. Prints, furnishings, wallpapers, garments and the materials of the painting and decorating industry all feature, carrying his created imagery and weaved narratives which merge fact and fiction, creating worlds, characters and scenarios that may or may not exist.
Hearne’s research stems from an analysis of the surfaces, iconography and politics of the Catholic Church, with the churches of Dublin and beyond serving as impetus for works in this show. The majesty and misery of this institution’s past and present dwells in the exhibition, with Hearne presenting photographs as interior decor and furniture. One of these pieces entitled Slab, a functional painter and decorator’s wallpaper pasting table acts as a storyboard, holding constructed photographs coalesced with archival documentary photos from the artist’s archive. This amalgamation of photographic work spans two decades posing narratives that the viewer can but glean.