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Openhere 2014

October 15, 2014 – 6:39 pm |

​Openhere 14.11-16.11 2014
3D printed goods, cryptocurrencies, digital sharing – just some of the disruptive online practices and technologies that are transforming and reshaping our economy. These innovative technologies have impacted the market, enabling new business …

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Review of Peripheries 2014: Between the I and the Hand

October 13, 2014 – 10:27 am |

Peripheries
1st of August – 8th August
Curated by Richard Carr
Reviewed by Susan Edwards

Peripheries –
plural, noun. the outer limits or edge of an area or object. Also a secondary position or aspect of a group, for example; a shift in power from the centre to the periphery.

An idea was created from a lecture of “Gatherings” in Cork City, Rep. of Ireland in 2005 when it was the European City of Culture. During this lecture the concept of a production of culture on the periphery was explored, occurring when fringe events resulted in centres of excellences formed outside the main cultural events. A small Irish art college attended and brought back to its academic setting an idea that has expanded and blossomed into an annual event that has now produced a fourth exhibition which begs to be examined for its fresh creative efforts of the purity of art for art’s sake.

In 2011, the first Peripheries event was staged by Gorey School of Art located in Co. Wexford, Ireland. Consisting of three days of discussions with artists, community and students, it ended with a small exhibition in a then rented building in an industrial estate. There was no formal curator or academic agenda, merely a small rural community with a history rich with the love of art and a smattering of local artists with weighty artistic success behind their belts such as Michael Warren, Paul Doran, and Eamonn Carter to contribute. This review will attempt to enlighten and encourage those on the fringe that indeed, great art can and does happen when artists do what they do best…creating something, from nothing other than an idea and a willingness to take risks and experiment with the art process.

Enter 2014, take a group of young emerging Irish artists, throw in one well established international artist, mix with some highly acclaimed art writers, embrace each artists specific concerns, motivation and practices, stir with one highly creative and skilled curator and the result is an exhibition that celebrated what artists enjoy most, making works of art. For Richard Carr, curating the event was interesting and challenging he states, to bring varying art practices into one exhibition, but also to use the event as an opportunity to celebrate the educational success of the fine art program with the college and its course expansion of a new creative media and film qualification. Working on the premise of each artist and their individual process of making and that which is produced “between the I and the Hand”, the exhibition explored the changing concepts of what is the Handmade in the contemporary art practice. The gallery space was filled with a diversity of mediums as eclectic as the artists. The ground floor had at centre stage a mixed media sculpture piece by Catriona Mcloughlin of tangled, bound textiles on a bed frame dripping memories of places and stories, paintings by Andrew Simpson of beige, grey and monotone brushstrokes of vague afterthoughts which invited closer inspection, a sound installation piece with headphones to hear the touches to a amplified wooden box, another painter’s contribution by Amanda Doran that showed fleshy, pulpy, portraiture images of a Francis Bacon type of grotesqueness. And when the viewer wished to sit and contemplate, a collection of essays of contemporary thought and philosophy were available.

This newly constructed building which housed the exhibition had ceiling to floor windows to accommodate the changing nuances of natural light and a second level with a walkway to studio and lecture rooms. The upper level had a sleek, installation piece by Conor McDonald that included aged, weathered wooden blocks reclaimed from a disused mushroom factory to dissect notions of place and time. Three rooms separated from the main space for media presentation, a film by Michael Gilbert entitled, “Unfold, a video by Patrick Redmond which looked at lighting techniques in various clips from his art practice and a room dedicated to a screening day of “The Passing”, a black and white video of sound and images from renowned artist Bill Viola. This combination of the digital world with the traditional fine art categories highlighted the link and relationships of the maker with their work. Even that which consists of technological materials still shows the maker’s hand, from the construction of the work, to the very physical installation of that work in the gallery space. This exhibition skilfully allowed the viewers to encounter a variety of art works as well as a glimpse of the similarities and differences of individual artist practices.

Gorey School of Art is located in Co.Wexford and is a progressive, dynamic and innovative organisation that is recognised throughout Ireland by key art institutions and organisations as a centre of excellence. The Peripheries event is an annual exhibition that occurs on the first weekend in August.

Richard Carr is a 2013 M.F.A graduate of The National College of Art and Design

Susan Edwards is a 2014 ACW graduate of The National College of Art and Design

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Root of an Unfocus

September 10, 2014 – 10:41 pm |

Art in the Contemporary World graduate Susan Edwards reviews “Root of an Unfocus” by Serena Caulfield

Treading on scrubbed wooden floor boards, into the clean well lit space there is an encounter with a series of …

Wine Soak No. 17: Foaming on the Beer Stool

August 18, 2014 – 2:56 pm |

Our wine correspondent found himself at the Stags Head at Foaming at the Mouth: an evening of Visual Art spoken word performances. How exactly he ended up there is a total mystery even to …

SEE THE FUTURE A written response by ACW alumni Barry Kehoe

July 8, 2014 – 11:24 am |

The following response by Barry Kehoe was commissioned by the artists on the NCAD Masters Fine Art and Masters Art in the Digital World (MFA/ADW) during their graduate show that took place in June 2014. …

ACW alumni Kirsten Simpson’s piece on the work of Paola Catizone

July 7, 2014 – 10:51 am |
ACW alumni Kirsten Simpson’s piece on the work of Paola Catizone

Natural Artifice | Paola Catizone
A study of the relationships and discordances between drawing, performance and video art

The Inconceivable Thing

May 20, 2014 – 11:56 pm |

Art in the Contemporary World student, Deirdre Kearney reviews a recent exhibition, La Fine Di Dio, of work by Maurizo Cattelan and Lucio Fontana at the Gagosian Gallery, London, February 2014.
Quite by chance the curator …

Wine Soak No. 16: “mind the gap”

May 13, 2014 – 7:19 pm |

Our wine correspondent found himself at the Hacienda bar for the opening of The Luxury Gap after an illuminating stop at Translucent Flag the sculpture factory exhibition at the Mart Gallery and Studios Rathmines.

I …

True Detection Symposium in association with Darklight Film Festival

April 29, 2014 – 10:57 am |

29 April – 6-10pm
The Generator Bar, Smithfield Sq., Dublin

Aligning criminal detection and nihilistic terror, Nic Pizzolatto’s TV series True Detective saves the significance of detection from forensic positivism and restores its essential negativity (de-tect) to …

MUST GO ON

April 9, 2014 – 8:43 am |

RUA RED
Artists and curators Talk
Wednesday April 9th 6pm
A discussion led by Levi Hanes with artists Clodagh Emoe, Felicity Clear and Ella de Burca. The discussion will explore ideas in the artist’s work, the themes in …

Implicated

April 1, 2014 – 7:56 am |

The following text written by Barry Kehoe is reproduced here by kind permission of the Implicate Collaborative
MART Gallery, 190a Rathmines Road Lower, Dublin 6
3 – 20th October 2013
‘Implicated’ was the first exhibition of the Implicate …

Art in the Contemporary World Podcast no.3

March 14, 2014 – 1:45 pm |

This podcast centres on two recent Dublin exhibitions; group show ‘Tonight you can call me Trish’ at the Lab, and ‘Wasteland’ by Eva Koťátková and Dominik Lang at the Project Arts Centre. Contributors to this …

Wine Soak No. 15: “Tonight you could only ever call me … Ligvine”

March 10, 2014 – 10:24 pm | One Comment

Our wine correspondent found himself at the LAB’s exhibition: Tonight you can call me Trish and TBG+S exhibition Against the Enamel. The resulting experience can only be described as “a floating oasis of energised drift” …

2nd Art in the Contemporary World podcast: Willie Doherty in conversation with Declan Long

February 28, 2014 – 12:26 pm |

This is an edited version of the conversation that took place prior to the opening of Willie Doherty’s exhibition ‘Remains’ at Kerlin Gallery on 16th January 2014. The exhibition runs until 15th March. http://www.kerlin.ie/exhibitions/remains
The talk …

50°02′09″N 19°10′42″E

January 28, 2014 – 7:41 pm |

Art in the Contemporary World graduate, Barry Kehoe has kindly agreed to publish his Literary Visions essay. Literary Visions is a strand of the ACW course that looks at the relationship between literature and contemporary …

We Belong to Other People When We’re Outside: A review by Alison Fornell

January 17, 2014 – 1:34 am |

Alison Fornell reviews Pedro Barateiro’s We Belong to Other People When We’re Outside recently shown at Kettle’s Yard, Cambridge, Sept 2013 – Nov 2013.

What is ultimately most significant about Portuguese artist Pedro Barateiro’s newest work, …

Mop : A review by Aisling Ní Chlaonadh

January 15, 2014 – 3:43 pm |

Aisling Ní Chlaonadh reviews Sam Keogh’s recent solo exhibition, Mop that took place at Kerlin Gallery, Dublin 2, Sept 2013 – Nov 2013.

By all accounts, it looks like a child’s messy bedroom from the early …

The Black Rose, The Green Pool and The Blue Sky : A review by John Busher

January 14, 2014 – 12:47 pm |

John Busher reviews a recent exhibition of work by Cora Cummins that took place at VISUAL Centre for Contemporary Art, Carlow, Oct 2013 – Jan 2014.

Cora Cummins works to date revolve around ideas that relate …

Mandrake : A review by Deirdre Lyons

December 20, 2013 – 6:13 pm |

Deirdre Lyons reviews a recent exhibition of work by Francis Upritchard that took place at the Douglas Hyde Gallery, Dublin Sept – Nov 2013.

MANDRAKE
(a) A Southern European plant (Mandragora officinaram) having greenish-yellow flowers and a …

Wine Soak no. 14: The greatest challenge yet

November 26, 2013 – 8:50 am |

Our Wine Correspondent Jakob Ligvine Creek after being run over by a bicycle on the Grand Canal towpath found himself being consoled with several glasses of Domaine de Condamine de l’eveque Syrah at the opening …

Wine Soak no. 13: Bullied and battled at The Crusades

November 10, 2013 – 10:15 am |

Our Wine Correspondent Jakob Ligvine Creek escaping the stench of the drought ridden city found himself bullied, battled and a little melancholic at the opening of ‘The Crusades’ a show in The Drawing Project, Dun …

Wine Soak no. 12: “Telling Private Tales in Public Places”

October 6, 2013 – 2:20 pm |

Our Wine Correspondent Jakob Ligvine Kreek found himself unwittingly divulging private and possibly incriminating information at the ‘Implicate Collaborative’ exhibition, Implicated, in the MART Gallery space in the former fire station on Rathmines Road Lower. …