Friday, June 8 at 1 PM – 2 PM The White Pube is the collaborative identity of Gabrielle de la … More
Category: Writing
Writing by staff, students and friends of ACW
‘The Inexquisite Corpse’, ACW Publication Launch
The Inexquisite Corpse Publication Launch 31st May // 6pm Eblana House Marrowbone Lane Dublin 8 The launch of the publication … More
Young, single and ready to navigate through complex issues regarding temporality and time
ACW student Sara Muthi responds to PLATFORM 2018, an exhibition and a series of associated events showcasing the work of … More
“Copy that, Kapton”, a review of Sam Keogh’s Kapton Cadaverine performance at the Kerlin Gallery
“The space that situates the performance is so thoroughly inseparable from the performance that it would have been non-sensical to … More
Homo Ludens (Man at Play)
Homo Ludens (Man at Play), The Library Project, 4 Temple Bar, Dublin 2. Exhibition continues until Saturday, 27 January 2018 … More
Mythology, Authenticity, Representation & Psychosis by Sara Muthi
Exploring themes of mythology, authenticity, representation and psychosis, Sara Muthi, managing editor of in:Action and ACW student shares her latest … More
BREATH (taking), a review of Nigel Rolfe’s group performance at the Green on Red Gallery by Sara Muthi
Bringing together a group of Nigel Rolfe’s top performing students from the Royal College of Art, London, BREATHING IN, BREATHING … More
“There’s art that challenges you, and art that’s simply not for you”
ACW student Sara Muthi and writer for in:Action, an Irish Live art review platform, shares her latest response to Martin … More
Ghost-haunted land Contemporary art and post-Troubles Northern Ireland by Declan Long
ACW’s Course Co-ordinator Declan Long’s latest book; Ghost-haunted land Contemporary art and post-Troubles Northern Ireland Description of book and purchase … More
Call for Submissions for /Glitch Festival Sedimentary Structures Gallery Talk
Invited Participants: Current students & previous graduates at University of Ulster, NCAD’s ACW & ADW and IADT’s ARC. Deadline for … More
A SAVAGE BEAUTY
Alexander McQueen Victoria & Albert Museum London, U.K. 14, March – 2, August, 2015 Review by Susan Edwards At the … More
Sara O’Brien on Cliona Harmey // Dublin Ships
ACW alumni Sara O’Brien recently wrote a piece on Cliona Harmey’s Dublin Ships public art project for Belfast’s Collected. Read … More
Wine Soak No.18: “Only the most adaptable will survive”
Our wine correspondent found himself at Dead Zoo, an exhibition in the Art Box Gallery curated by Hilary Murray, featuring … More
BEYOND METAPHOR, MAPPING SOCIAL SYSTEMS
The following is an extract from ACW alumni Rebecca O’Dwyer‘s response to recent work by Dr Francis Halsall and Kelley … More
Review of Peripheries 2014: Between the I and the Hand
Peripheries 1st of August – 8th August Curated by Richard Carr Reviewed by Susan Edwards Peripheries – plural, noun. the … More
Open Call for Colony Magazine Submissions
Call and Theme for Issue 3: Magic Visual Art Submissions Information Online Experimental Literary Magazine Colony is working with artist, … More
Root of an Unfocus
Art in the Contemporary World graduate Susan Edwards reviews “Root of an Unfocus” by Serena Caulfield Treading on scrubbed wooden … More
Wine Soak No. 17: Foaming on the Beer Stool
Our wine correspondent found himself at the Stags Head at Foaming at the Mouth: an evening of Visual Art spoken … More
SEE THE FUTURE A written response by ACW alumni Barry Kehoe
The following response by Barry Kehoe was commissioned by the artists on the NCAD Masters Fine Art and Masters Art … More
ACW alumni Kirsten Simpson’s piece on the work of Paola Catizone
Natural Artifice | Paola Catizone A study of the relationships and discordances between drawing, performance and video art Kirstin Simpson … More
