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Articles in Writing

Emma Brennan’s Heed To The Mound, reviewed by Aoife Banks

April 10, 2019 – 5:06 pm |

Six contorted, heaving bodies, six mounds of dough, arms and legs entwined with lengths of proved flour, yeast and water. Twisting, manipulating limbs and torsos. Cold, thick slaps of bread dough against concrete. Brushing of …

ACW24 -TBG+S

April 4, 2019 – 10:26 pm |

NCAD ACW masters students are currently developing a publication containing a 16 part dossier under the theme of Co-Habitation and will spend 24 hours co-habitating, experimenting, workshopping, writing about, and mapping co-existence. Over the last …

Launch of Paper Visual Art Journal, vol. 10

March 27, 2019 – 12:34 pm |

Launch of PVA 10 at Temple Bar Gallery + Studios
Thursday 28 March 2019, 7–9 pm
Atrium Space, Temple Bar Gallery + Studios
“Paper Visual Art Journal will be launching their latest hard-copy issue on Thursday 28 …

ACW Alumni Adrian Duncan’s New Novel, Love Notes from a German Building Site.

March 5, 2019 – 7:07 pm |

In April The Lilliput Press will be launching ACW alumni Adrian Duncan’s debut novel entitled ‘Love Notes from a German Building Site.’
‘Love Notes from a German Building Site’ follows the story of Paul, an …

Old Invitations A DHG Student Forum response to the DHG archive

February 21, 2019 – 7:09 pm |

A DHG Student Forum response to the DHG archive
Thursday 28 February 2019, 1pm–8pm
Since March 2018, we’ve been celebrating 40 years of The Douglas Hyde Gallery, looking back through the DHG archive on Instagram under the …

Bauhaus Effects

February 6, 2019 – 4:45 pm |

A conference organised by the National College of Art and Design, University College Cork, University College Dublin and the Goethe Institut Dublin – 7-9 February 2019
Bauhaus Effects will assemble an interdisciplinary collection of papers that …

The Ontology of the Artefact

January 29, 2019 – 5:48 pm |

The Ontology of the Artefact is a digital publication compiled by students, Aoife Banks, Nathan Cahill and Kate Friedeberg of NCAD’s Art in the Contemporary World Masters programme, exploring the conditions of the artefact within …

Free event on artists’ writing at Dublin Art Book Fair – Tuesday 27th November

November 24, 2018 – 10:25 am |

Why do artists write? And do they approach the task of writing differently?
The Art in the Contemporary World MA/ MFA programme at NCAD and Paper Visual Art are hosting an evening of readings at …

Review: Furtive Tears by Niamh McCann at The Hugh Lane Gallery by Brendan Fox (ACW)

November 22, 2018 – 3:43 pm |

A New Occult and Encounters with the Invisible Man
A review of Furtive Tears, 4 October 2018 – 6 January 2019 by Niamh McCann at The Hugh Lane Gallery, Dublin, 2018.
Occultation; n. (Astronomy); The passage of …

Review by Seanán Kerr, ACW: Sean Scully, The Land/The Line at The Kerlin Gallery

November 9, 2018 – 8:52 am |

there is still much to do – a response to the work of Julia Dubsky by Sara Muthi

October 23, 2018 – 10:35 pm |

Baby Sharing. 96 x 80 x 2.5 cm. Oil on Canvas. 2018
What has already been said about painting is still not enough, the number of canvases marked has not scratched the surface of possibility. …

half-way to cyborg-city*

August 21, 2018 – 12:03 am |

*a liminal-point at which a hybrid entity consisting of organic human and technological mechanisms is in the process of becoming a cyborg, though does not yet have a body. The ‘city’ in this case suggests …

‘The Inexquisite Corpse’, ACW Publication now available at The Library Project

June 11, 2018 – 1:42 pm |

A novella written collectively by Nathan Cahill, Jack Cole, Padraig Cunningham, Dorothy Hunter, Valerie Joyce, Ronny Koren, Stephen Lau, Roisin McVeigh, Sara Muthi, Sadbh O’Brien, and Hannah Tiernan is now available for purchase at The …

BASIC TALKS ~ The White Pube

June 3, 2018 – 10:45 am |

Friday, June 8 at 1 PM – 2 PM

The White Pube is the collaborative identity of Gabrielle de la Puente and Zarina Muhammad under which they write criticism and sometimes curate. It is based at …

‘The Inexquisite Corpse’, ACW Publication Launch

May 29, 2018 – 10:29 am |

The Inexquisite Corpse
Publication Launch
31st May // 6pm
Eblana House
Marrowbone Lane Dublin 8

The launch of the publication will be at Eblana House, Marrowbone Lane, Dublin 8, May 31st at 6.00pm.
The publication is collectively authored by …

Young, single and ready to navigate through complex issues regarding temporality and time

March 24, 2018 – 10:56 pm |

ACW student Sara Muthi responds to PLATFORM 2018, an exhibition and a series of associated events showcasing the work of emerging and early career artists who will use the Gallery as a playful, experimental and …

“Copy that, Kapton”, a review of Sam Keogh’s Kapton Cadaverine performance at the Kerlin Gallery

February 24, 2018 – 3:02 pm |

“The space that situates the performance is so thoroughly inseparable from the performance that it would have been non-sensical to not textually indulge in this rich scenario by Sam Keogh. Everything from the control panel …

Homo Ludens (Man at Play)

January 19, 2018 – 12:50 am | One Comment

Homo Ludens (Man at Play),
The Library Project, 4 Temple Bar, Dublin 2.
Exhibition continues until Saturday, 27 January 2018
Opening hours: 12 – 6pm Tuesday – Saturday
Homo Ludens, the title of this exhibition, is the species of …

Mythology, Authenticity, Representation & Psychosis by Sara Muthi

December 10, 2017 – 4:32 pm |

Exploring themes of mythology, authenticity, representation and psychosis, Sara Muthi, managing editor of in:Action and ACW student shares her latest response to the bi-monthly performance art platform Livestock titled “Get Real”.
“With a formula such as …

BREATH (taking), a review of Nigel Rolfe’s group performance at the Green on Red Gallery by Sara Muthi

November 28, 2017 – 5:51 pm |

Bringing together a group of Nigel Rolfe’s top performing students from the Royal College of Art, London, BREATHING IN, BREATHING OUT takes place at the center of Rolfe’s 8th Solo show at the Green on …