C o n s t e l l a t i o n s Wolfgang Tillmans, Rebuilding the Future Exhibition … More
Category: Reviews
Reviews of exhibitions, events, publications
Emma Brennan’s Heed To The Mound, reviewed by Aoife Banks
Six contorted, heaving bodies, six mounds of dough, arms and legs entwined with lengths of proved flour, yeast and water. … More
Review: Furtive Tears by Niamh McCann at The Hugh Lane Gallery by Brendan Fox (ACW)
A New Occult and Encounters with the Invisible Man A review of Furtive Tears, 4 October 2018 – 6 January … More
Review by Seanán Kerr, ACW: Sean Scully, The Land/The Line at The Kerlin Gallery
there is still much to do – a response to the work of Julia Dubsky by Sara Muthi
Baby Sharing. 96 x 80 x 2.5 cm. Oil on Canvas. 2018 What has already been said about painting is … More
half-way to cyborg-city*
*a liminal-point at which a hybrid entity consisting of organic human and technological mechanisms is in the process of becoming … More
Young, single and ready to navigate through complex issues regarding temporality and time
ACW student Sara Muthi responds to PLATFORM 2018, an exhibition and a series of associated events showcasing the work of … More
“Copy that, Kapton”, a review of Sam Keogh’s Kapton Cadaverine performance at the Kerlin Gallery
“The space that situates the performance is so thoroughly inseparable from the performance that it would have been non-sensical to … More
Homo Ludens (Man at Play)
Homo Ludens (Man at Play), The Library Project, 4 Temple Bar, Dublin 2. Exhibition continues until Saturday, 27 January 2018 … More
Mythology, Authenticity, Representation & Psychosis by Sara Muthi
Exploring themes of mythology, authenticity, representation and psychosis, Sara Muthi, managing editor of in:Action and ACW student shares her latest … More
BREATH (taking), a review of Nigel Rolfe’s group performance at the Green on Red Gallery by Sara Muthi
Bringing together a group of Nigel Rolfe’s top performing students from the Royal College of Art, London, BREATHING IN, BREATHING … More
“There’s art that challenges you, and art that’s simply not for you”
ACW student Sara Muthi and writer for in:Action, an Irish Live art review platform, shares her latest response to Martin … More
Play It By Ear // Richard Carr // Review by Susan Edwards
Play It By Ear Richard Carr Soma Contemporary Gallery Waterford City 27, August – 19, September, 2015 One could almost … More
A SAVAGE BEAUTY
Alexander McQueen Victoria & Albert Museum London, U.K. 14, March – 2, August, 2015 Review by Susan Edwards At the … More
Wine Soak No.18: “Only the most adaptable will survive”
Our wine correspondent found himself at Dead Zoo, an exhibition in the Art Box Gallery curated by Hilary Murray, featuring … More
Review of Peripheries 2014: Between the I and the Hand
Peripheries 1st of August – 8th August Curated by Richard Carr Reviewed by Susan Edwards Peripheries – plural, noun. the … More
SEE THE FUTURE A written response by ACW alumni Barry Kehoe
The following response by Barry Kehoe was commissioned by the artists on the NCAD Masters Fine Art and Masters Art … More
ACW alumni Kirsten Simpson’s piece on the work of Paola Catizone
Natural Artifice | Paola Catizone A study of the relationships and discordances between drawing, performance and video art Kirstin Simpson … More
The Inconceivable Thing
Art in the Contemporary World student, Deirdre Kearney reviews a recent exhibition, La Fine Di Dio, of work by Maurizo … More
Wine Soak No. 16: “mind the gap”
Our wine correspondent found himself at the Hacienda bar for the opening of The Luxury Gap after an illuminating stop … More